…and at the part that says “bring forth the royal diadem”: A 2-5-1 chord progression to chord 6:Ĭyclical progressions in fourths/fifths were also used at the beginning: A 3-6-2-5-1 chord progression to chord 6: However, here are notable ones highlighted for you. Throughout the breakdown, you can see tons of chromatic chords used in the formation of chromatic chord progressions. However, beyond the reharmonization of the hymn, every serious pianist and musician should be able to pick up tons of chords and chord progressions from this breakdown. One of the goals of this lesson is to show you how the melody of the hymn All Hail The Power Of Jesus Name can be reharmonized. So, let’s go into the breakdown of the chords and chord progressions used in this lesson. So, in this breakdown, the conventional approach to harmonization is replaced with tons of advanced chord voicings that you can enrich your chordal vocabulary with.Īttention: It is important for you to pay attention to the chord progressions formed, so that you can understand how they are formed and how you can apply them in other songs.Ĭheck out the reharmonization of the hymn All hail The Power Of Jesus Name: One of the things top players do while playing hymns is reharmonization, which is basically an unconventional approach to the harmonization of melody notes. In this case, root movement is in fifth intervals. For example, using chords from the key of B major in a chord progression in C major produces a chromatic chord progression.Ĭyclical chord progressions are chord progressions where the movement of the root notes is based on a stipulated interval. Ninth, eleventh, and thirteenth chords are extended chords.Ĭhromatic chord progressions are chord progressions where chords that are foreign to the prevalent key are used. “Here Are A Few Tips On The Elements Used…”Īltered chords are formed when the ninth and/or fifth tone of an extended dominant chord is raised or lowered by a half step.Įxtended chords are chords that exceed the compass of an octave. In this breakdown, we’re basically reharmonizing the melody of the hymn song using altered and extended chords, lots of chromatic chord progressions, and cyclical chord progressions as well. …to D (which is the highest pitch in the melody): The range of the melody is from C (which is the lowest pitch in the melody): …and ends on the first tone of the scale (which is F): …starts on the fifth tone of the scale (which is C): The melody of the song in the key of F major: An Overview Of The HymnĪnd crown him Lord of all. Hymn songs have a way of creating a worship atmosphere when they are sung and given the proper interpretation and this is because of the liturgical nature of its form, melody, harmony, and rhythm. A Short Note On Hymnsīelieve it or not, hymns are an integral part of christian worship because there are hymns for every season (Christmas, Easter, and so on), time of the day (morning, noon, night, and so on), message (repentance, forgiveness, and so on), etc. You may not necessarily play the hymn with all the chords given in the breakdown. This breakdown would be done in the key of F major:Īttention: It’s recommended for you to focus on, and learn all the chords and chord progressions used in this hymn breakdown. This breakdown is dedicated to students at the pre-advanced and advanced level, who are interested in enriching their chordal vocabulary. In today’s lesson, we’ll be breaking down the hymn All Hail The Power Of Jesus Name.
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